La Bohème' proves its supremacy in welcoming newcomers to opera's bombast, 'Co-founders' tries to play it both ways.

Netflix’s new K-drama, Like Flowers in Sand, is a series without waste — a deliberate, consoling dive into ssireum, a traditional form of South Korean wrestling, set in an unassuming Geosan ...

Noh drama: Masks are incredibly important to this dance-based form of Japanese theater, which was established in the 14th century. Carved from pieces of cypress, ...

FILE - In this Tuesday, Aug. 10, 2021 file photo, two students wearing face masks walk past a “Welcome Back” sign on their way to school in Riverview, Florida, where classes have already ...

Some TV medical drama are helping save lives for real. Fox's The Resident donated boxes of the production's masks, gloves, and gowns to an Atlanta hospital for its medical staff during the novel ...

Masks come with a long history. In ancient Greek drama, masks assumed exaggerated forms to embody characters, shielding the actors’ true identities.

Lee Min Ho is someone who has captured our hearts one drama at a time. From 'Boys Over Flowers' to 'The Legend of The Blue Sea', Lee Min Ho delivers a powerful performance that will keep you glued ...

Mask Girl is set to premiere August 18 exclusively on Netflix. The series is also set to star After School member Nana , who also previously starred in Netflix’s 2022 K-drama series Glitch , and ...

K-Drama Rewind, Boys Over Flowers: Lee Min-ho, his trendsetting curls and a generation-defining fever dream. 2w. A h, the pre-2014 K-Dramas hold an undeniable place in the K-Drama canon.

Queen of Masks, the Korean drama series starring Kim Sun-a as a lawyer and one of a quartet of strong women wronged by men, has threaded its way to a very satisfying conclusion in its final episodes.

Remember that line in the 1989 Louisiana-shot comedy-drama "Steel Magnolias" when mother of the bride M'Lynn (Sally Field) describes the church decorations?

Prime-time K-drama Queen of Masks is heating up as Kim Sun-a leads a cast of high-achieving modern Korean women who remain vulnerable and prey to a predatory patriarchy.