Although closely associated with the freewheeling spirit of the French New Wave, Louis Malle had already established himself before his first narrative feature, 1958’s “Elevator to the Gallows.” Maybe ...

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Louis Malle’s 1958 film Elevator to the Gallows was, arguably, the beginning of the French New Wave movement in cinema. Inarguably, it’s simply one of the coolest movies ever. Three elements combine ...

Louis Malle’s schematic thriller, starring the young Jean Moreau as a wanton wife looking to dispose of her spouse, is lifted toward greatness by one of the most electrifying jazz scores ...

Cahiers du Cinéma once summarily dismissed Louis Malle, a fellow traveler of the nouvelle vague but never officially one of its members, as a director “still in search of a ‘subject.’ ” But it’s ...