Sid Vicious and the aesthetics of punk rock. ... His bass guitar was more of a prop than an instrument. He was a drug-addled mess and a live wire to anyone who came near him.

As far as subcultures go, the punk movement still boasts one of the most instantly recognisable aesthetics. The punk bands of the late 70s and early 80s served up a defiant rejection of mainstream ...

Sid Vicious and the aesthetics of punk rock. The show, which opened last week at Fairey’s Subliminal Projects gallery in Echo Park (with a one-off performance by Ritchie Love, a supergroup of ...