It turns out that the scene wasn’t shot on Mulholland Drive at all. In Room to Dream, special effects coordinator Gary D’Amico mentions a hundred-foot construction crane that was set up in ...

Lo and behold, Dan does see that face, and suddenly Mulholland Drive has threatened to make ... But, you know, he just had a ...

Pauline Kael, the film critic, called Lynch ''the first populist surrealist — a Frank Capra of dream logic.'' ''‘Blue Velvet,' ‘Mulholland Drive' and ‘Elephant Man' defined him as a ...