W ith a more traditional side-on pixel art presentation, you might assume that The Drifter takes a more nostalgic approach to ...

In 1946, Robert Siodmak made ”The Killers,” a film that opens with two murderers coming to a small town. When they find their quarry, a man called Swede (Burt Lancaster), he is remarkab… ...

Borrowing from 1940s film noir, Lasky played with light and shadow to add a grittier feel, ... Sets art decorator Greg Peltz collaborated with Lasky on the design of the ships, ...

Hard Case Crime. Paperback, 221 pp. $6.99 BOOT TRACKS By Matthew F. Jones Europa. Paperback, 206 pp. $14.95 Classic noir fiction offers a dark, violent world devoid of mercy or sentiment. Take ...

“Light & Noir: Exiles and Emigres in Hollywood, 1933-1950,” is the centerpiece of several fascinating exhibits opening at the Skirball Cultural Center on Thursday that examine the influences ...

Film noir’s darkness and light, ... (Serendipitously, one can explore these roots across town at the Los Angeles County Museum of Art’s simultaneous exhibit, ...

In the 19th century, French artists started getting creative with black materials— chalk, pastels, crayons and charcoal — some of them newly available. Now, a show called Noir at the J. Paul ...

Noir Nights kicks off with an opening night cocktail party on Friday, Feb. 9. The cocktail hour will be held from 6 to 7 p.m., featuring light hors d’oeuvres and a cash bar serving neo-noir ...

For Pixar’s latest feature, “Light- year,” director of photography Jeremy Lasky worked with production designer Tim Evatt and lighting DP Ian Megibben to establish the look of the CGI film ...