The seminar was attended by Jean-Marc Castera, an established French expert in Islamic geometric art, who scrutinized connections between mathematics, arts and geometric arabesques. Professional ...
Techniques from the heart of Arab-Islamic cultural heritage are being learned by children and adults alike as Qatar Foundation (QF)’s Al Ghorrah for Literature and Arts continues to take people on a ...
The visual arts allows us to understand people of earlier eras: visual literacy reveals many things about what these people did, knew, and believed. Examining the geometric patterns that characterize ...
Dating back to the early Islamic period, these designs were developed using a set of mathematical principles. Islamic art was characterized by utilizing geometric patterns in a distinct manner owing ...
Islamic geometric patterns and architecture represent a profound synthesis of mathematical precision and artistic expression inherent in centuries of cultural heritage. These patterns are not merely ...
Jay Bonner’s new book on Islamic geometric patterns is as dense and thick (595 pages) as the thorniest of textbooks, but the hundreds of illustrations and the immersion in this topic are simply ...
Eric Broug, who conducts workshops on geometric patterns of Islamic art, reveals how he got interested in the art form Eric Broug is a UK-based Dutch author and educator with an expertise in Islamic ...
The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author ...
What is culture? In today’s globalized world, we are familiar with seeing various cultural objects and ornamentation outside of their original location or context. If culture is not fixed and bound to ...
Paper cuts and wall tracings of geometric patterns created by different artists revisit the impact of this Islamic art in the modern world “Geometric Aljamia: a cultural transliteration” is an ...
What is culture? In today’s globalized world, we are familiar with seeing various cultural objects and ornamentation outside of their original location or context. If culture is not fixed and bound to ...