At TIFF 2025, Vadim Rizov reviews Rian Johnson’s Wake Up Dead Man and Olivier Assayas’s The Wizard of the Kremlin.

Sophy Romvari discusses making her first feature, Blue Heron, recreating Vancouver in the ’90s and filmmaking as a form of ...

Director James Sweeney talks about “Twinless,” his dark comedy about twin bereavement, including how Brian DePalma influenced ...

At TIFF 2025, Vadim Rizov reviews Ben Rivers’s partial Don DeLillo adaptation Mare’s Nest and Richard Linklater’s Blue Moon.

The Shorenstein Center announced today the Fall 2025 cohort of Documentary Film Fellows, who will be working closely with the ...

Valentyn Vasyanovych discusses the making of his TIFF 2025 world premiere To the Victory!, the future of Ukrainian cinema and ...

The Toronto International Film Festival begins today, with many of this awards season’s festival heavy-hitters (Hamnet, The ...

Waking Hours is the auspicious, Venice-premiering feature debut of cinematic collaborators Federico Cammarata and Filippo ...

When I was at Yale, I was very insecure about myself and insecure about where I belonged. I always felt like I had more questions than answers about life. And I felt like everyone else seemed to have ...

Nominated for Best Director and Best Picture Academy Awards for his beautiful and incisive Moonlight, Barry Jenkins has long appeared in the pages of Filmmaker. He was a 25 New Face in 2008 and then, ...

Hu Sanshou’s Resurrection premiered at last year’s Taiwan International Documentary Festival; this year, the director was awarded the annual True Vision award at True/False before the first of two ...