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E-40, ‘Revenue Retrievin’: Overtime Shift’ (Heavy on the Grind Ent./EMI) Written by Christopherschultz | March 29, 2011 - 7:46 pm. With his 13th and 14th albums, this Bay Area legend and ...
E-40, the Bay Area's most successful veteran rapper, ... Graveyard Shift' and 'Revenue Retrievin': Overtime Shift,' both records will be released to digital retailers at the end of March.
Bay Area’s own E-40 continues his Revenue Retrievin’ series with the release of two brand new albums, Revenue Retrievin’ Graveyard Shift and Revenue Retrievin’ Overtime Shift, for next month.
Currently E-40 s double album Revenue Retrievin: Day Shift and Revenue Retrievin: Night Shift is flying high on the charts. The indie ...
E-40: At 43, The Rap Virtuoso ... The new third and fourth installments in his Revenue Retrievin' series of albums, called Overtime Shift and Graveyard Shift, ...
For his 11th and 12th solo studio albums (Revenue Retrievin’: Day Shift and Revenue Retrievin’: Night Shift), 40 chose to take the independent route and stick to the script.
The album is a family affair as well, as E-40 also inked a deal with Heavy On The Grind Entertainment, the record label owned by his son Droop-E, which is distributed by EMI.
Bay Area Legend, E-40 is still trucking down the path to dominate iPod’s with another string of album releases. In 2010 and 2011, he released Revenue Retrievin’ in four different installments ...
In E-40's instructional video, the emcee defines his most recent album titles 'Revenue Retrievin': Day Shift' and 'Night Shift,' discussing additional phrases during his interview.
E-40 lifts his middle fingers towards the haters, fakes and naysayers in his controversial new video. 40 Water’s new album, Revenue Retrievin’ Overtime Shift, is out now. Peep More New Videos Here ...
Music• E-40 After the four-part Revenue Retrievin’ and the six-part The Block Brochure, Bay Area-based rapper E-40 (born Earl Stevens) is back with another. Skip to content.
E-40, ‘Revenue Retrievin ... Shift make it the more cohesive of the two — a sort of concept album about recession-era grinding — the most trunk-destroyin’, dumbass-slappin’ tracks shine ...
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