That may change with “Edvard Munch: Between the Clock and the Bed,” SFMOMA’s new exhibit that — thanks largely to the museum’s collaboration with Norway’s Munch Museum — looks at the artist’s entire ...

"Edvard Munch: Technically ... One with a black beach riven with the dramatic contrast of bright white seaweed and stone set against ... was the most compelling thing about making art at all ...

The art of Edvard Munch reflects his traumatic youth and his battles with ... He moved past the black hole, ... and instead of Pandora's Box, he found the white light of personal evolution. Share.

An echo of van Gogh can be seen in Edvard Munch's insistent, emotional art at the Clark. ... A close look at “White Night” is telling, ... all in subtle nuances of grey and near black.

Edvard Munch: Love And Angst will focus on dozens of prints the Norwegian expressionist made of his works, including The Scream. The original painting was created in 1893 inspired by the wild ...

It turns out the mystery buyer who scooped up Edvard Munch’s “The Scream” last month at Sotheby’s was billionaire Leon Black. Black, lead partner of Apollo Global Management (APO), paid a ...

Gradually, they donated pieces to the Harvard Art Museums. Now, a large, final bequest of 64 works has inspired a vibrant exhibition, “Edvard Munch: Technically Speaking,” on view through July 27.

Edvard Munch: Between the Clock and the Bed at the San Francisco Museum of Modern Art (SFMOMA) opens with a self-portrait of the artist from 1886. A small canvas, it depicts a full-lipped young ...

Beyond “The Scream,” there’s a side of the artist that’s long been unexplored in the U.S., as shown by “Trembling Earth” at the Clark Art Institute.

Edvard Munch was born and died in the depths of the Norwegian winter and claimed that “disease, insanity and death were the black angels that stood at my cradle”.