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Jason Statham's New Action Movie Steals An Idea From John Wick 2A Working Man is the upcoming collaboration between Jason Statham and David Ayer, and its story steals a concept from John Wick 2.The movie will be a loose adaptation of Chuck Dixon’s acclaimed ...
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John Wick’s Most Underrated Action Scene Shows What Makes Keanu Reeves’ Character So Good At His Job - MSNJohn Wick: Chapter 2 may show off his big brain, but it's not like John hadn't demonstrated his smarts before. He's usually thinking at least a couple of steps ahead and constantly adapts on the ...
In “John Wick: Chapter 2,” the international superkiller wears black turtlenecks straight out of L’Uomo Vogue, has a tattoo in Latin and calls his gun dealer his “sommelier.” ...
“John Wick” wasn’t designed for a sequel. It began with someone killing John Wick’s dog, and ended with the vengeance-bent uber-assassin stealing a new best friend from an animal shelter ...
Before you buy a ticket to see “John Wick: Chapter 2,“ the improbably fun sequel to the implausibly good “John Wick,” you might want to ask yourself how much tolerance you have for gun ...
In a just world, a film like John Wick: Chapter 2 would be recognized in award show categories such as Best Cinematography. This isn’t going to happen. Instead, film fans will just have to be ...
John Wick: Chapter 2 is an enjoyable enough expansion on the first film. But its final-act setup for John Wick: Chapter 3 is more trying than promising. We’ve seen most of this film once before.
And frankly, "Wick 2" looks farther back - it's the most sopping-wet gun-fetish fantasia since John Woo's "Hard Boiled," 25 years ago. Granted, that was a different, less-sensitive time.
John Wick works because it concentrated its energy on one goal, using production design, costumes, and lighting cues to bolster its lack of exposition. By comparison, Chapter 2 can seem a little ...
The only worldly thing that “John Wick: Chapter 2” is about is the impending release of Chapter 3. Richard Brody , a film critic, began writing for The New Yorker in 1999.
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