A woman stands straight upright. She wears draping robes, a thick necklace around her neck and a headdress which may be a crown or chain of leaves around her head. Both of her arms are bent, and her ...
A drawing of a seascape at night. Two figures stand on a piece of land in the foreground next to a large structure which is situated at the water’s edge. The structure is multi-tiered and gets smaller ...
A young woman with fair skin and rouged cheeks leans forward to the right, and turns her head to look at us. With raised eyebrows and bright red painted lips, she smiles slightly, light coming from ...
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In this graphite drawing with ink outlines, a large letter V in a serif font is front and center. Behind the V is a statue of the Greek god Pan, with goat’s ears and horns protruding from curled locks ...
A long flat piece of mottled dark olive green jade with white flecks, is carved into a vertical rectangular shape with inward curving sides. The short, top side curves more sharply inward to form two ...
The speckled muted gray-green bowl is decorated inside and out with designs and motifs rendered in thin, flowing, off-white lines with accents in black. Inside the bowl is an overall pattern of short ...
These two similarly sized disks are made of metal, which is coated in green rust, and were formed by spiraling a piece of metal wire tightly around itself. Where the wire comes to an end, on the ...
The textile is approximately rectangular with irregular edges and some lost areas. Saint Theodore’s flesh is worked in shades of undyed, pale pink, and tan, threads and he wears an off-white robe with ...
Dramatically lit with light entering from upper left, highlighting the man (Christ) in an open stage-like area inside an antiquated courtyard. Armored Roman guards with spears stand behind him. A man ...
A country landscape loosely drawn in black chalk with white chalk highlights on pale blue paper. In the foreground there is a small pond, and behind it, on the side of a low hill are two figures and a ...
One of the earliest forms of Chinese writing is preserved in the simple inscriptions on bronze vessels from the late Shang period. Integrally cast into the bronzes — as opposed to being incised into ...
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